{"id":1932,"date":"2018-03-29T17:12:05","date_gmt":"2018-03-29T16:12:05","guid":{"rendered":"https:\/\/clasmedusc.es\/index.php\/publicacions\/teses-2\/"},"modified":"2026-10-07T16:01:03","modified_gmt":"2026-10-07T14:01:03","slug":"tesis","status":"publish","type":"page","link":"https:\/\/clasmedusc.es\/index.php\/es\/produccion_cientifica\/tesis\/","title":{"rendered":"Tesis"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb][et_pb_fullwidth_header title=\u00bbPublicaciones\u00bb background_overlay_color=\u00bbrgba(0,0,0,0)\u00bb _builder_version=\u00bb4.16&#8243; background_color=\u00bbrgba(255, 255, 255, 0)\u00bb background_image=\u00bbhttps:\/\/clasmedusc.es\/wp-content\/uploads\/2018\/04\/DSC_6776.jpg\u00bb global_colors_info=\u00bb{}\u00bb button_one_text_size__hover_enabled=\u00bboff\u00bb button_one_text_size__hover=\u00bbnull\u00bb button_two_text_size__hover_enabled=\u00bboff\u00bb button_two_text_size__hover=\u00bbnull\u00bb button_one_text_color__hover_enabled=\u00bboff\u00bb button_one_text_color__hover=\u00bbnull\u00bb button_two_text_color__hover_enabled=\u00bboff\u00bb button_two_text_color__hover=\u00bbnull\u00bb button_one_border_width__hover_enabled=\u00bboff\u00bb button_one_border_width__hover=\u00bbnull\u00bb button_two_border_width__hover_enabled=\u00bboff\u00bb button_two_border_width__hover=\u00bbnull\u00bb button_one_border_color__hover_enabled=\u00bboff\u00bb button_one_border_color__hover=\u00bbnull\u00bb button_two_border_color__hover_enabled=\u00bboff\u00bb button_two_border_color__hover=\u00bbnull\u00bb button_one_border_radius__hover_enabled=\u00bboff\u00bb button_one_border_radius__hover=\u00bbnull\u00bb button_two_border_radius__hover_enabled=\u00bboff\u00bb button_two_border_radius__hover=\u00bbnull\u00bb button_one_letter_spacing__hover_enabled=\u00bboff\u00bb button_one_letter_spacing__hover=\u00bbnull\u00bb button_two_letter_spacing__hover_enabled=\u00bboff\u00bb button_two_letter_spacing__hover=\u00bbnull\u00bb button_one_bg_color__hover_enabled=\u00bboff\u00bb button_one_bg_color__hover=\u00bbnull\u00bb button_two_bg_color__hover_enabled=\u00bboff\u00bb button_two_bg_color__hover=\u00bbnull\u00bb][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; 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La m\u00e1ntica en las \u201cDionis\u00edacas\u201d de Nono de Pan\u00f3polis<\/em><br \/>\n<strong>Data lectura:<\/strong> 13\/11\/2026, prevista<\/p>\n<hr>\n<p><strong>Autor:<\/strong>Eduardo And\u00fajar Oliveira<br \/>\n<strong>Director:<\/strong>Joel Varela Rodr\u00edguez<br \/>\n<strong>T\u00edtulo:<\/strong> Por definir<\/p>\n<hr>\n<p><strong>Autor:<\/strong> Adri\u00e1n Boullosa Fraga<br \/>\n<strong>Director:<\/strong>Joel Varela Rodr\u00edguez y Esperanza Torrego (UAM)<br \/>\n<strong>T\u00edtulo:<\/strong> <em>Especificaci\u00f3n del estatus de la Predicaci\u00f3n Secundaria en la lengua latina: incidencia del aspecto pragm\u00e1tico<\/em><\/p>\n<hr>\n<p><strong>Autor:<\/strong> Alba Coello Fern\u00e1ndez<br \/>\n<strong>Director:<\/strong>Jos\u00e9 Carracedo Fraga<br \/>\n<strong>T\u00edtulo:<\/strong> <em>La documentaci\u00f3n latina del monasterio de San Mart\u00edn de Xubia hasta el a\u00f1o 1200: estudio y edici\u00f3n<\/em><br \/>\n<strong>Universidad:<\/strong>  Universidade de Santiago de Compostela<\/p>\n<hr>\n<p><strong>Autor:<\/strong> Marcos Dieste Trillo<br \/>\n<strong>Director:<\/strong>\u00c1ngel Ruiz P\u00e9rez<br \/>\n<strong>T\u00edtulo:<\/strong> <em>El g\u00e9nero oracular en la Antig\u00fcedad tard\u00eda: an\u00e1lisis literario, estil\u00edstico y m\u00e9trico<\/em><\/p>\n<hr>\n<p><strong>Autor:<\/strong> Marie-Anne Gabaret<br \/>\n<strong>Director:<\/strong>Eva Mar\u00eda Castro Caridad<br \/>\n<strong>T\u00edtulo:<\/strong> <em>A humildade do soberano nos espazos visigodo e franco (s\u00e9culos V-IX)<\/em><br \/>\n<strong>Universidad:<\/strong>  Universit\u00e9 d\u2019Angers<\/p>\n<hr>\n<p><strong>Autor:<\/strong> In\u00e9s Lamas Cartelle<br \/>\n<strong>Director:<\/strong>\u00c1ngel Ruiz P\u00e9rez<br \/>\n<strong>T\u00edtulo:<\/strong> <em>Geri\u00f3n en Estes\u00edcoro<\/em><\/p>\n<hr>\n<p><strong>Autor:<\/strong> Roque Lazcano V\u00e1zquez<br \/>\n<strong>Director:<\/strong>Jos\u00e9 Virgilio Garc\u00eda Trabazo<br \/>\n<strong>T\u00edtulo:<\/strong> <em>El Parkour frente a las Olimpiadas. Est\u00e9ticas de la animalidad y de la utilidad en las ra\u00edces t\u00e9cnicas y doctrinales del Arte del Desplazamiento<\/em><br \/>\n<strong>Programa de doctorado: <\/strong>  Historia, Xeograf\u00eda e Historia da Arte<\/p>\n<hr>\n<p><strong>Autor:<\/strong> Natalia Lodeiro Pichel<br \/>\n<strong>Director:<\/strong>Jos\u00e9 Virgilio Garc\u00eda Trabazo y Francisco Javier Gonz\u00e1lez Garc\u00eda<br \/>\n<strong>T\u00edtulo:<\/strong> <em>Relaciones entre el Reino hitita y los pueblos del Egeo durante la segunda mitad del II milenio a. C. Un estudio hist\u00f3rico, arqueol\u00f3gico y textual<\/em><br \/>\n<strong>Programa de doctorado: <\/strong>  Historia, Xeograf\u00eda e Historia da Arte<\/p>\n<hr>\n<p><strong>Autor:<\/strong> \u00c1lvaro Manuel Mayo L\u00f3pez<br \/>\n<strong>Director:<\/strong>Jos\u00e9 Virgilio Garc\u00eda Trabazo y Mar\u00eda de F\u00e1tima D\u00edez Platas<br \/>\n<strong>T\u00edtulo:<\/strong> <em>Estudio filol\u00f3gico e iconogr\u00e1fico sobre los rasgos de la religiosidad primaria en la tradici\u00f3n indoeuropea<\/em><br \/>\n<strong>Programa de doctorado: <\/strong>  Textos da Antig\u00fcidade Cl\u00e1sica e a s\u00faa Pervivencia<\/p>\n<hr>\n<p><strong>Autor:<\/strong> Sara Porto Puente<br \/>\n<strong>Director:<\/strong>Joel Varela Rodr\u00edguez<br \/>\n<strong>T\u00edtulo:<\/strong>Por definir<\/p>\n<hr>\n<p><strong>Autor:<\/strong> Santiago Real Besteiro<br \/>\n<strong>Director:<\/strong>Jos\u00e9 Virgilio Garc\u00eda Trabazo y Sergio Neri<br \/>\n<strong>T\u00edtulo:<\/strong> <em>Sobre la lexicalizaci\u00f3n de adverbios en las principales lenguas hist\u00f3ricas indoeuropeas<\/em><br \/>\n<strong>Programa de doctorado: <\/strong>  Textos da Antig\u00fcidade Cl\u00e1sica e a s\u00faa Pervivencia<\/p>\n<hr>\n<p><strong>Autor:<\/strong> Alba Rodr\u00edguez Cid<br \/>\n<strong>Director:<\/strong>Mar\u00eda Teresa Amado Rodr\u00edguez<br \/>\n<strong>T\u00edtulo:<\/strong> <em>\u201cMatarme es avivarme, hacerme sangre nueva para las venas de esta Am\u00e9rica amarga\u201d: a recepci\u00f3n e usos da traxedia grega traducida e reescrita nas escenas estadounidense e latinoamericana a partir de 1960<\/em><\/p>\n<hr>\n<p><strong>Autor:<\/strong> Ferran Torra Portell<br \/>\n<strong>Director:<\/strong>Jos\u00e9 Virgilio Garc\u00eda Trabazo y Ignasi-Xavier Adiego Lajara<br \/>\n<strong>T\u00edtulo:<\/strong> <em>Nomina Lyciae. 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open=\u00bbon\u00bb open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2024&#8243; _builder_version=\u00bb4.27.5&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb closed_title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<strong>Autor:<\/strong> Irene Romo Poder\u00f3s<br \/>\n<strong>Director:<\/strong> Jos\u00e9 Carracedo Fraga (USC)<br \/>\n<strong>T\u00edtulo:<\/strong> <em>El proceso de transmisi\u00f3n cultural mediante la oralidad y la \u201crevoluci\u00f3n del pensamiento\u201d<\/em><br \/>\n<strong>Data lectura:<\/strong> 2024[\/et_pb_toggle][et_pb_toggle title=\u00bb2023&#8243; 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Tolkien as a Translator of Old Myths into Modern Fantasy<\/em><br \/>\n<strong>Data lectura:<\/strong> Octubre de 2023<br \/>\n<strong>Universidad:<\/strong> Universidad de Islandia<br \/>\n<strong>Publicaci\u00f3n:<\/strong> Skemman, repositorio digital de la Universidad de Islandia[\/et_pb_toggle][et_pb_toggle title=\u00bb2021&#8243; open=\u00bbon\u00bb open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2021&#8243; _builder_version=\u00bb4.16&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb closed_title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p><strong>Autor:<\/strong> Kathrin Regina HAIMERL<br \/><strong>Director:<\/strong> Joaqu\u00edn Gorrochategui Churruca (UPV) e Jos\u00e9 Virgilio Garc\u00eda Trabazo (USC)<br \/><strong>T\u00edtulo:<\/strong> <em>Die nominalen i-St\u00e4mme des Hethitischen: Eine morphologische Analyse aus historischvergleichender Perspektive unter Ber\u00fccksichtigung der Quell- und Nachbarsprachen<\/em><br \/><strong>Data lectura:<\/strong> 08\/07\/2021<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2020&#8243; open=\u00bbon\u00bb open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2020&#8243; _builder_version=\u00bb4.16&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb closed_title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Joel Varela Rodr\u00edguez<br \/><strong>Director:<\/strong> Jos\u00e9 Manuel D\u00edaz de Bustamante<br \/><strong>T\u00edtulo:<\/strong> Taj\u00f3n de Zaragoza. Estudio de su obra y recepci\u00f3n hist\u00f3rica de su figura<br \/><strong>Data lectura:<\/strong> 17\/07\/2020<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2019&#8243; open=\u00bbon\u00bb open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2019&#8243; _builder_version=\u00bb4.16&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb closed_title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Iria Pedreira Sanjurjo<br \/><strong>Director:<\/strong> Teresa Amado Rodr\u00edguez<br \/><strong>T\u00edtulo:<\/strong> Recepci\u00f3n, interpretaci\u00f3n e adaptaci\u00f3n dos cl\u00e1sicos grecolatinos na literatura dram\u00e1tica galega<br \/><strong>Data lectura:<\/strong> 16\/12\/2019<\/p>\n<hr>\n<p>\n<strong>Autor:<\/strong> William Trouv\u00e9<br \/><strong>Director:<\/strong> Eva Castro-Thomas Deswarte (Univ. de Angers)<br \/><strong>T\u00edtulo:<\/strong> Les listes de rois du haut Moyen \u00c2ge occidental. 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open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2015&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Francisca G\u00f3mez Seijo<br \/><strong>Director:<\/strong> Mar\u00eda Teresa Amado Rodr\u00edguez, \u00c1ngel Ruiz P\u00e9rez<br \/><strong>T\u00edtulo:<\/strong> Caracterizaci\u00f3n de Helena na traxedia hom\u00f3nima de Eur\u00edpides<br \/><strong>Data lectura:<\/strong> 05\/11\/2015<\/p>\n<hr \/>\n<p><strong>Autor:<\/strong> Mar\u00eda Carmen G\u00f3mez Costoya<br \/><strong>Director:<\/strong> Manuel Enrique V\u00e1zquez Buj\u00e1n<br \/><strong>T\u00edtulo:<\/strong> Estudio y edici\u00f3n cr\u00edtica de la traducci\u00f3n latina del libro VII de la Synopsis de Oribasio<br \/><strong>Data lectura:<\/strong> 30\/11\/2015<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2013&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2013&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Pablo Garc\u00eda- Pombo Fern\u00e1ndez<br \/><strong>Director:<\/strong> Mar\u00eda Mercedes D\u00edaz de Cerio Diez<br \/><strong>T\u00edtulo:<\/strong> Estudio pragm\u00e1tico do vocativo en grego antigo.<br \/><strong>Data lectura:<\/strong> 18\/01\/2013<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2012&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2012&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Laura L\u00f3pez Figueroa<br \/><strong>Director:<\/strong> Manuel Enrique V\u00e1zquez Buj\u00e1n<br \/><strong>T\u00edtulo:<\/strong> Estudio e edici\u00f3n cr\u00edtica da compilaci\u00f3n m\u00e9dica latina denominada Tereoperica<br \/><strong>Data lectura:<\/strong> 21\/03\/2012<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2007&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2007&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Pilar Diez del Corral Corredoira<br \/><strong>Director:<\/strong> \u00c1ngel Ruiz P\u00e9rez<br \/><strong>T\u00edtulo:<\/strong> Ariadna, esposa y amante de Dioniso. Estudio iconogr\u00e1fico de la cer\u00e1mica \u00e1tica.<br \/><strong>Data lectura:<\/strong> 13\/04\/2007<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2006&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2006&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Lorenzo Fraga Montero<br \/><strong>Director:<\/strong> Mar\u00eda del Dulce Nombre Estefan\u00eda \u00c1lvarez<br \/><strong>T\u00edtulo:<\/strong> Virgilio, Eneida Libro I, edici\u00f3n cr\u00edtica<br \/><strong>Data lectura:<\/strong> 26\/06\/2006<\/p>\n<hr \/>\n<p><strong>Autor:<\/strong> Antonio R\u00edo Torres-Murciano<br \/><strong>Director:<\/strong> Mar\u00eda del Dulce Nombre Estefan\u00eda \u00c1lvarez<br \/><strong>T\u00edtulo:<\/strong> El restablecimiento de la causalidad \u00e9pica en el Libro I de las Argon\u00e1uticas de Valerio Flaco.<br \/><strong>Data lectura:<\/strong> 29\/09\/2006<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2001&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2001&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Antonio A. Mauriz Mart\u00ednez<br \/><strong>Director:<\/strong> Manuel Enrique V\u00e1zquez Buj\u00e1n, Michael von Albrecht<br \/><strong>Titor:<\/strong> Manuel Enrique V\u00e1zquez Buj\u00e1n<br \/><strong>T\u00edtulo:<\/strong> A palabra e o silencio no episodio amoroso da Eneida<br \/><strong>Data lectura:<\/strong> 21\/11\/2001<\/p>\n<p>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; disabled_on=\u00bbon|on|on\u00bb _builder_version=\u00bb4.16&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; z_index_tablet=\u00bb0&#8243; box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb disabled=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.16&#8243; custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_toggle title=\u00bb2021&#8243; open=\u00bbon\u00bb open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2021&#8243; _builder_version=\u00bb4.16&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb closed_title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p><strong>Autor:<\/strong> Kathrin Regina HAIMERL<br \/><strong>Director:<\/strong> Joaqu\u00edn Gorrochategui Churruca (UPV) e Jos\u00e9 Virgilio Garc\u00eda Trabazo (USC)<br \/><strong>T\u00edtulo:<\/strong> <em>Die nominalen i-St\u00e4mme des Hethitischen: Eine morphologische Analyse aus historischvergleichender Perspektive unter Ber\u00fccksichtigung der Quell- und Nachbarsprachen<\/em><br \/><strong>Data lectura:<\/strong> 08\/07\/2021<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2020&#8243; open=\u00bbon\u00bb open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2020&#8243; _builder_version=\u00bb4.16&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb closed_title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Joel Varela Rodr\u00edguez<br \/><strong>Director:<\/strong> Jos\u00e9 Manuel D\u00edaz de Bustamante<br \/><strong>T\u00edtulo:<\/strong> Taj\u00f3n de Zaragoza. Estudio de su obra y recepci\u00f3n hist\u00f3rica de su figura<br \/><strong>Data lectura:<\/strong> 17\/07\/2020<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2019&#8243; open=\u00bbon\u00bb open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2019&#8243; _builder_version=\u00bb4.16&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb closed_title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Iria Pedreira Sanjurjo<br \/><strong>Director:<\/strong> Teresa Amado Rodr\u00edguez<br \/><strong>T\u00edtulo:<\/strong> Recepci\u00f3n, interpretaci\u00f3n e adaptaci\u00f3n dos cl\u00e1sicos grecolatinos na literatura dram\u00e1tica galega<br \/><strong>Data lectura:<\/strong> 16\/12\/2019<\/p>\n<hr>\n<p>\n<strong>Autor:<\/strong> William Trouv\u00e9<br \/><strong>Director:<\/strong> Eva Castro-Thomas Deswarte (Univ. de Angers)<br \/><strong>T\u00edtulo:<\/strong> Les listes de rois du haut Moyen \u00c2ge occidental. Origines, diffusions, usages (Ve-ca. 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open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2015&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Francisca G\u00f3mez Seijo<br \/><strong>Director:<\/strong> Mar\u00eda Teresa Amado Rodr\u00edguez, \u00c1ngel Ruiz P\u00e9rez<br \/><strong>T\u00edtulo:<\/strong> Caracterizaci\u00f3n de Helena na traxedia hom\u00f3nima de Eur\u00edpides<br \/><strong>Data lectura:<\/strong> 05\/11\/2015<\/p>\n<hr \/>\n<p><strong>Autor:<\/strong> Mar\u00eda Carmen G\u00f3mez Costoya<br \/><strong>Director:<\/strong> Manuel Enrique V\u00e1zquez Buj\u00e1n<br \/><strong>T\u00edtulo:<\/strong> Estudio y edici\u00f3n cr\u00edtica de la traducci\u00f3n latina del libro VII de la Synopsis de Oribasio<br \/><strong>Data lectura:<\/strong> 30\/11\/2015<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2013&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2013&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Pablo Garc\u00eda- Pombo Fern\u00e1ndez<br \/><strong>Director:<\/strong> Mar\u00eda Mercedes D\u00edaz de Cerio Diez<br \/><strong>T\u00edtulo:<\/strong> Estudio pragm\u00e1tico do vocativo en grego antigo.<br \/><strong>Data lectura:<\/strong> 18\/01\/2013<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2012&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2012&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Laura L\u00f3pez Figueroa<br \/><strong>Director:<\/strong> Manuel Enrique V\u00e1zquez Buj\u00e1n<br \/><strong>T\u00edtulo:<\/strong> Estudio e edici\u00f3n cr\u00edtica da compilaci\u00f3n m\u00e9dica latina denominada Tereoperica<br \/><strong>Data lectura:<\/strong> 21\/03\/2012<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2007&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2007&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Pilar Diez del Corral Corredoira<br \/><strong>Director:<\/strong> \u00c1ngel Ruiz P\u00e9rez<br \/><strong>T\u00edtulo:<\/strong> Ariadna, esposa y amante de Dioniso. Estudio iconogr\u00e1fico de la cer\u00e1mica \u00e1tica.<br \/><strong>Data lectura:<\/strong> 13\/04\/2007<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2006&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2006&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Lorenzo Fraga Montero<br \/><strong>Director:<\/strong> Mar\u00eda del Dulce Nombre Estefan\u00eda \u00c1lvarez<br \/><strong>T\u00edtulo:<\/strong> Virgilio, Eneida Libro I, edici\u00f3n cr\u00edtica<br \/><strong>Data lectura:<\/strong> 26\/06\/2006<\/p>\n<hr \/>\n<p><strong>Autor:<\/strong> Antonio R\u00edo Torres-Murciano<br \/><strong>Director:<\/strong> Mar\u00eda del Dulce Nombre Estefan\u00eda \u00c1lvarez<br \/><strong>T\u00edtulo:<\/strong> El restablecimiento de la causalidad \u00e9pica en el Libro I de las Argon\u00e1uticas de Valerio Flaco.<br \/><strong>Data lectura:<\/strong> 29\/09\/2006<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00bb2001&#8243; open_toggle_text_color=\u00bb#442519&#8243; open_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb closed_toggle_text_color=\u00bb#442519&#8243; closed_toggle_background_color=\u00bbrgba(104,52,0,0.1)\u00bb icon_color=\u00bb#442519&#8243; open_icon_color=\u00bb#442519&#8243; admin_label=\u00bbConmutador_2001&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>\n<strong>Autor:<\/strong> Antonio A. Mauriz Mart\u00ednez<br \/><strong>Director:<\/strong> Manuel Enrique V\u00e1zquez Buj\u00e1n, Michael von Albrecht<br \/><strong>Titor:<\/strong> Manuel Enrique V\u00e1zquez Buj\u00e1n<br \/><strong>T\u00edtulo:<\/strong> A palabra e o silencio no episodio amoroso da Eneida<br \/><strong>Data lectura:<\/strong> 21\/11\/2001<\/p>\n<p>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Autor: Elena Garc\u00eda Paleo Director:Mar\u00eda Teresa Amado Rodr\u00edguez T\u00edtulo: Escrolog\u00eda ritual y debates literarios alejandrinos: estudio comparado en la po\u00e9tica de Cal\u00edmaco y Apolonio de Rodas a la luz de la hermen\u00e9utica antigua Data lectura: 18\/09\/2026 Autor: Julia Hombre Iglesias Director:\u00c1ngel Ruiz P\u00e9rez T\u00edtulo: \u201cY esta fue la voz prof\u00e9tica que pronunci\u00e9\u201d. La m\u00e1ntica en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1862,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"class_list":["post-1932","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tesis - ClasMedUSC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/clasmedusc.es\/index.php\/es\/produccion_cientifica\/tesis\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tesis - ClasMedUSC\" \/>\n<meta property=\"og:description\" content=\"Autor: Elena Garc\u00eda Paleo Director:Mar\u00eda Teresa Amado Rodr\u00edguez T\u00edtulo: Escrolog\u00eda ritual y debates literarios alejandrinos: estudio comparado en la po\u00e9tica de Cal\u00edmaco y Apolonio de Rodas a la luz de la hermen\u00e9utica antigua Data lectura: 18\/09\/2026 Autor: Julia Hombre Iglesias Director:\u00c1ngel Ruiz P\u00e9rez T\u00edtulo: \u201cY esta fue la voz prof\u00e9tica que pronunci\u00e9\u201d. 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